Art Restoration in the Connecticut Area

When it comes to the conservation of art, art restoration is a crucial process. However, it can also be a controversial one. This is because restoration causes irreversible changes to a piece. As well, the process of restoration is most concerned with how to transform art into a state that would be considered acceptable by the individual or group commissioning the restoration, and less so with the preservation of the piece for the future. However, this was the restoration process of old. Today, there are several methods used by art restoration specialists in Connecticut that can actually be reversed if needed.

In painting

One of these methods involves the use of watercolors to cover damage to pieces. Such was the method used when restoring the DaVinci masterpiece “The Last Supper.” The in-painting technique can also be applied with a treatment called Tinted Varnish. This treatment is usually the final step in restoration and involves locating places on the painting where the original paint or pieces of canvas may have been removed for one reason or another. The tinted varnish is applied over the non-tinted varnish once the piece was cleaned. This provides the illusion of re-painting.

 

Impregnation

This restoration process concentrates on the actual canvas of a painting to repair damage. The fibers of the canvas are saturated by the restorer with adhesive. This allows the canvas to have more stability, as well as allowing any paint that may be flaking from it to adhere once again to the canvas.

 

Re-Weaving

This is also a process commonly used by restorers to repair canvas. Much more involved than impregnation, re-weaving is just that: the actual re-weaving of a canvas’s original fibers back into their original pattern. Once this process is complete, adhesive is usually applied for stabilizing those fibers that have been woven into the canvas’s grid pattern.

 

Treatment with Vapor

This type of restoration method helps to improve the condition of the art by eliminating creases, waves or wrinkles. Usually, a vacuum table is used for this purpose. Art restoration specialists in Connecticut place a piece of art onto the vacuum table, after which controlled heat, moisture and pressure are applied until the offending waves, wrinkles or creases are relaxed.

 

Lining

Probably the most invasive form of restoration, lining is usually reserved for those pieces of art which are incredibly unstable. In this process, a new piece of canvas is attached to the painting’s back. This allows the painting to have increased structural integrity.

When trying to understand the process of art restoration, it’s important to understand the industry’s most common terms. In addition, it behooves every client to ensure that their restorer approaches each piece conservatively, addressing only that which needs attention. As well, any professional restorer should use not only materials that are modern, but also those that can be reversed as well as not leave any effects on the piece that are lasting.